Jim Fischer


What’s On The Easel August 2019, Vol. I, No. 5

Added Aug 17, 2019


I don’t know about other artists but I am subject to regular bouts of procrastination, I will go for a couple of months doing no art (and roaming around the house looking for anything but art to do). Then, one day I snap out of it and get going again. Well, after kicking around for the past three months, I am back at it. My art studio is divided into four areas: An easel for oil painting, a drawing/light board for colored pencil, another board for watercolor and a printer/scanner station. All four are back in action…

On the easel is a large portrait of Stephanie and Natalie (on the edge of a cliff overlooking Big Sur. 

On the drawing/light board is the first of eight citiscapes of Savannah, Georgia.

On the watercolor station are three small paintings of judges at an Irish festival upstate New York.

And the printer has been putting out complete box sets, of Whistler’s Venice and Forty-eight Views of Brownstone Brooklyn.

A Plethora of Art Calls… 

…no less than four this month and three of them had no entry fee (yes!). For the Monmouth County Museum I entered Niagara Falls in Winter: American Falls, a large montage photo (5 feet long), for Village West (a gallery in downtown Jersey City) I entered the box set of Forty-eight Views of Brownstone Brooklyn, for ProArts’ gallery during JCAST (Jersey City’s open studios weekend, October 3 - 6) I entered 4th of July/George Washington Bridge and for ProArts’ cookbook project I entered a recipe for “the perfect hamburger” accompanied by appropriate art(?), The Perfect Hamburger. So, any bets on which pieces get accepted?


In Other News…

So, my knee is slowly getting better. On the upside, I did get to gather up a nice collection of canes. The smaller red one is made of bloodroot wood from Africa, the light oak one is from London (nicely done with an ergonomic handle with a substantial hook to it for hanging) and a handcrafted cane from Turkey.

That’s all for now. Drop me a note if you like. I’d love to hear from you.


Everyone be well.



What’s On The Easel, July 2019, Vol. I, No. 4, A monthly newsletter from Jim Fischer

Added Jun 29, 2019

What’s On The Easel, July 2019, Vol. I, No. 4, A monthly newsletter from Jim Fischer

There’s more to art…

 …than paint on canvas and this past month for me has seen little time in the studio. I have been focused on finishing the design of the back garden and in the words of a famous man, “It is finished.”


This is the fourth formal garden I have design and developed. The raised beds have 15 different herbs, a very nicely grown garlic patch, five varieties of peppers, tomatoes (of course) and four different lettuces. We are calling it the Buddha Garden. And, of course, Cafe Fischer is open for visitors. 

House renovations as wel

Another agenda keeping me from the studio has been a number of major projects around the house that included painting several rooms (not by me, I’m out of that business this late in life but I did do the gold decorations ala Whistler’s Peacock Room in the dining room):


Also, work was done re-pointing the brick work on the entire outside of the house (again, contractors, you ain’t gettin’ me up those 30 foot ladders), replacing the deck in the back garden (almost broke my neck on the old one when one of the feet of the chair I was on fell through), a new, chef quality stove and various furnishing projects the most interesting of which was making a replica of a Frank Lloyd Wright lamp for the living room (got the plans online):



And, the Whistler’s Venice pastels have found a new home in our guest room…


Most every day I take some time in the late afternoon to listen to some music in this room. The pastels make for a very pleasant background. You are welcome to come visit us and see for yourself.

 A New Website Host

 This month I also completed the transfer of my website to a new, much improved carrier, Art Majeur. They are, obviously, out of France and, after exploring numerous sites for artists to archive and display their work, they have what I regard as the best set up. My website address remains www.theartistjimfischer.com. Take a look (and, if you are an artist, consider their services, I believe you will be impressed).

 In Other News…

To make all of the above work more difficult, I blew out my right knee as a result of the foot injury I suffered earlier in the year and have been hobbling around first on crutches and now with a cane. It’s getting better each day, the pain (and, ouch, this was painful) has subsided and I am able to climb the stairs again (when this happened Steph dubbed it The Steinbok Curse, Alan will understand). I did get to buy some neat canes (waiting on one from Turkey). 

I am an avid reader of The New York Times online. I read during my morning coffee and at lunch. I also comment on a regular basis (and I know many of you are not surprised). Well, it appears I have been flagged by the Times comment moderators as my comments are now being immediately approved and I reached a milestone with a recent post. I made a comment on an article on Ernie Pyle and D-Day celebrations. It became the #1 reader’s pick with 517 likes and a Times selection. Here’s what I wrote:

“My father never talked about his service in the war until one day, knowing he had been at D-day and having just seen 'Saving Private Ryan' I cornered him. It was during a holiday visit late at night, everyone else had gone to bed. "So," I said way to flippantly, "Was it really that bad." For the next hour I found out it was. My father drove a landing craft of Rangers in the lead part of the first wave. He watched the twenty odd men in his craft be slaughtered as they hit the water, saving his own life by hunkering down behind a thick steel plate, trying to obey his orders to "Bring this boat back at all costs". He did this three times in the first six hours of the invasion. Each time returning with a boat full of blood and body parts that he cleaned out by opening the gate on the return and letting the sea to the job. We believe now he suffered from PTSD for the rest of his life. He drank too much and would often be found sitting in the kitchen late at night, in the dark with only the light of a cigarette. I told his story a few years ago to a group of friends, some the children of survivors of the Holocaust. When I finished a friend (Alan) told me, "Thank you. I never met anyone who's father actually fought in such an important action in WWII." My father's story is a sadness that comes over me from time to time. We did not get along (Vietnam, and all that). Now I better understand.”

That’s all for now. Drop me a note if you like. I’d love to hear from you.

 Everyone be well.




Jim Fischer, 530 Liberty Avenue, Jersey City, NJ, 07307

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What’s On The Easel, June 2019, Vol. I, No. 3, A monthly newsletter from Jim Fischer

Added May 30, 2019

It’s a scam…

So, Jersey City recently had it’s first major gallery/artist show called 14C in the Hilton downtown  (Why 14C? Got me) and a ‘call for artists’ was sent out for a general exhibition in the hotel’s ballroom. After paying $40 and submitting three works some weeks later I received an email proudly announcing, “We received over 200 submissions” and declaring that 29 pieces had been accepted for the ballroom exhibition. So, do the math. They made $8,000 out of the box from mostly losers. On top of that, they would get a 40% commission for any sales (not that anything that made the cut was worth buying). 

And then there was the ‘call for art’ I got from a curator putting together a show in a small gallery in some town in North Jersey. The call was for small pieces (10 x10 inch max) and, wow, there was no entry fee. Ah, but there was a ‘hanging fee’ of $25 for accepted pieces and a 40% commission for the curator on sales. So, I estimate this ‘curator’ could squeeze in 200 pieces into the space, $5,000 in ‘hanging fees.” A nice haul for putting nails in walls.

So, there’s money to be made from them-thar desperate artists and now I, for one, am taking the advice of a reputable gallery owner and never again paying a fee to get into an exhibition. It’s a scam. 

The wrong work


Here we go again. While my serious realist works continue to be ignored, this piece, a rainy afternoon's amusement, another joke now gathering dust in the gallery (needs a cleaning) is selected and featured in an upcoming exhibit. I give up! I am not a sculptor! It's what I call 'junk art.’




The title I used for the entry is 'Dancing With Matisse', but it's real name is 'The Creation: Heaven and Earth' and it's part of a series of pieces based on the creation story in Genesis that also includes 'The Creation: Eve,' ‘The Creation: Light,’ ‘The Creation: Adam’ (in the works) and ‘The Creation: Day and Night/Flora and Fauna (in the works as well). They want garbage, I can do that:


So, was there anything on the easel?


Not really. This is the time of the year when I need to be outside working on the gardens (pictures to come in future newsletters).


In other news…


They call it a ‘bucket list’ and some people just want to see Paris, others want to climb up to Machu Picchu. Now, I don’t like to call it a ‘bucket list’ but I did have one thing I always wanted to do. Since the 1970s I have been a Wagnerian, one of those who enjoys the works of Richard Wagner, and for us kind of people nothing can top seeing a live performance of his Ring Cycle, The Rings of the Neubeling. And I did just that this month at the Metropolitan Opera. Four operas, 20+ hours over six days. Stunning, just stunning (although there were spots where you felt, ‘Come on, Wagner, move it along’). Alan, you haven’t heard The Ride of The Valkyries until you see the live performance, ten minutes that leave you in awe. Would I do it again? Actually, no. It was great but it was gruelling, so, once is enough.


That’s all for now. Drop me a note if you like. I’d love to hear from you.

 Everyone be well.



What’s On The Easel, May 2019, Vol. I, No. 2, A monthly newsletter from Jim Fischer

Added May 30, 2019

A note from Jim: A month has passed since my first newsletter. I started the month wondering if I would have anything to put into the next one and I started keeping a list. I stopped when it reached eight items in just one week. But this is a newsletter, not a book and, as such, I will limit my self to two or three items so as not to bore you, my reader.

So, what is on the easel? 

This is the story of a painting that goes to the heart of what art is, and isn’t, today (a favorite topic when I get together with fellow artists). When I do a painting I usually put much more paint on the palette than I will need. At the end of a session, when I no longer need those colors, I usually scrape them off and throw the pile of gook away. A couple weeks ago I decided to have some fun with the mess. I took a piece of scrap photo paper and, with a palette knife, randomly scraped the paints across the surface. The result was a small (8 x 10 inches) piece of something.  




But, what? I decided it looked like a WWI battle field and I called it ‘No Man’s Land’ It’s official title is a quote from a soldier’s letter home: “No-man’s land under snow is like the face of the moon: Chaotic, crater ridden, uninhabitable, awful, the abode of madness.” This seemed to give the work, a random mess, some context. You do see the snow, right?

Now I belong to an artist’s site where I post my work, Art Mejeur (artmejeur.com) and I put this one up. Low and behold, the editors of the site chose the piece as one of their weekly picks putting it on the home page. Most of my works rack up a couple hundred views and it takes at least 3 months for that. This piece, with it’s special placement, racked up 23,000 views in just two weeks! What do you know, a complete goof is being hailed as a masterpiece. Still, no one has stepped up to buy it. That’s what selling art today is like, a lot of lookers, no takers.

 A Tale of Two Townhouses

 With the closing of my Whistler exhibit (for which I suspended everything else in my life for five months) I have finally been able to get around to many things needing attention around the house (no art, after 60 pastels in 4 months I’m painted out for now). One of those ‘things’ was getting contractors to do some much needed painting. In keeping with our restoration of the place to 1910 condition, I had them paint the cornices in front deep, forest green. We are very happy with the results. Our efforts must have spurred a neighbor with an identical townhouse to do some painting as well. The results are, well, somewhat different than our efforts. All I can say is to let the pictures speak for themselves (oh, but what a travesty to paint over the beautiful yellow-with-iron-flecks original brick). Whatever.




In other news…

 I opened a YouTube account where you can view:

 Whistler’s Venice gallery: https://youtu.be/ZvHyNrhjejU

How I did a pastel reproduction: https://youtu.be/h_DaN9r9ZhQ

And a surprise original composition: https://youtu.be/-pl3Ru9qmn4 

April is the month I work in the gardens getting ready for summer. Yaaaaaay, summer! 


That’s all for now. Drop me a note if you like. I’d love to hear from you.

 Everyone be well.

What’s On The Easel, April 2019, Vol. I, No. 1, A monthly newsletter from Jim Fischer

Added May 30, 2019

Note from Jim: I’ve been off Facebook for almost three years now. When I originally purged my account I had intended to set up a newsletter to keep in touch with my friends. Obviously, that did not happen … until now. A few days ago I read an article in The New York Times about someone who did quit Facebook and start a newsletter and I was reminded of my plans. So, here goes. 

So, what is on the easel? After spending four months preparing for my exhibition at Casa Colombo, Whistler’s Venice Pastels, I was able to finally get to a commissioned portrait. The subject is a masonry contract supervisor, Angelo. He will be sending the piece to his mother in Genoa, Italy. For the background I did a reproduction of Corot’s 1834 watercolor, “A View of Genoa.” 




While working on this portrait I figured out what to do with the leftover paint on the pallet. The leftover globs, various mixtures of colors, are ideal for spontaneous Abstract Expressionist works with a pallet knife. When given a title they kind of make sense so I’ve taken to finding literary quotes to invoke some meaning in these spontaneous bursts of creativity(?). This one is called “There she blows! There she blows! Her hump rises like a snow-covered hill! It is Moby Dick!”…




In other news…

A troupe of cats has taken up residence in our gazebo this winter. They come and go at various times, meowing and hissing as they encounter each other along their way. I figure if they keep making noise  long enough we will eventually get a Eugene O’Neill play out of their rantings. But, as the Summer approaches I am beginning to take steps to break up their gathering. They are not welcome to summer night dinners in the gazebo.

Like us, are you getting tired of this Meuller stuff already? For us it reached a crescendo last night when they pre-empted Antiques Roadshow to present an hour rehash of nothing. Can you imagine that? Outrageous, just outrageous. I’ll wait for the book and try to ignore the media dance in the meantime (ha).

So, my Whistler’s Venice Pastels show is closing this weekend. So far I’ve sold a whopping one piece (and that was to my brother). The big topic of conversation these days among my artist friends is how no one is buying art (though some of it just shouldn’t be up for sale). Now I have to figure out what to do with 59 pastels. So it goes.

That’s all for now. Drop me a note if you like. I’d love to hear from you.

Everyone be well.

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